Commissioning
Pitches come from our research desk, visiting fellows and the custodians we work with. We commission against a published rate card and pay the first half on signature.

Our journal is the quiet companion to the rest of the practice. Field notes, essays and oral histories, written and edited at the speed the material deserves, not the speed the internet expects.
The journal publishes between six and twelve pieces a year. Most begin as a residency note or a research interview and ripen for months before they reach print. We do not publish to a content calendar; we publish when the writing is ready and the contributors have signed off.
Pieces are written by our resident scholars, visiting fellows and, increasingly, by custodians themselves. Each essay carries a transparent commissioning note, a list of named informants and, where relevant, a royalty record. Subscribers receive printed quarterlies and early digital access; the full archive is free to read.
Plate I
Performer in traditional Xiqu costume.
Pitches come from our research desk, visiting fellows and the custodians we work with. We commission against a published rate card and pay the first half on signature.
Writers spend time on the ground or in the workshop. Interviews are recorded, transcribed and shared back with informants before any drafting begins.
Drafts pass through a structural edit, a line edit and a fact check. Custodians review every quote attributed to them in their own language.
Original photography and bespoke typography are commissioned for the print quarterly. Online pieces use the same image rights with full credit.
Essays are released first to subscribers in print, then to the open archive eight weeks later. Translations follow when budget and consent allow.
A diaspora memoir of return to a textile lineage interrupted by migration, war and the long arithmetic of memory.
An essay tracing how West African cosmologies have shaped contemporary visual art across three continents, written with named scholars.
On the evolution of sound, from analogue field recording to spatial audio, and what is gained and lost in the translation.
A long read on corporate gatherings that draw from heritage hospitality rather than performing it, with case notes from three clients.
A 96 page bound issue, four times a year, with original photography, full credits and a transparent commissioning ledger.
Every essay opens to the public eight weeks after print. Free to read, free to teach, free to cite.

"Natural landscape with cultural significance."
Annual subscription brings the print quarterly to your door and unlocks early digital access. A portion of every subscription returns to the contributors.
Editors, syndicators and translators: write to us with the publication, the audience and the timeline you have in mind.